Narco-productions in the historical memory debate in Colombia

Abstract

Colombia has been deeply impacted by drug trafficking, a phenomenon that has shaped its history and culture. This recurring theme has also been widely explored in the country’s audiovisual productions, drawing criticism for its pervasive presence. Accordingly, this article focuses on products that emphasis drug traffickers and their criminal activity—commonly known as narco-productions—to examine their role within the framework of historical memory and their potential contribution to promoting truth, reparation, and the non-repetition of the events that occurred during Colombia’s internal conflict. The text argues that such audiovisual works are part of the spectrum of historical memory by offering insight into the country’s experience of conflict. Although they often primarily center on perpetrators, these narratives provide a perspective that broadens our understanding of the events that have transpired over the years. In this way, narco-productions can be interpreted as a tool for reflecting on the complex reality of the Colombian conflict.